23 Haziran 2012 Cumartesi

Jorie Graham in The Spectator

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Is this real (Or is it Memorex)?
http://www.spectator.co.uk/coffeehouse/blogs/book/2012/june/interview-jorie-grahams-poetry

Jorie Graham: I believe we live in a world with way too little reality, or means of accessing reality — if by ‘reality’ we mean a place where your accountability for actions is not virtual. I am not the only one to think much of the tragic violence being perpetrated by soldiers, for example, is caused by the violence perpetrated on them by making them feel the ‘game’ is virtual — even the people their tanks fire upon are converted to resemble outlines in video games on their monitors. Put people in front of virtual people and they will come to feel, themselves, both immune and virtual. 487,000 US soldiers are suicidal and have acute Post Traumatic Stress Syndrome. Now obviously war’s hell has done this to generations — just thinking of World War I is enough. But something extra has been added here — and that is the video-game thinness of the reality of the other. One has to wonder how much not even feeling your so-called enemy to be “real” makes you even more broken and divorced from your soul. At any rate, I believe in, and deeply trust the apprenticeship to the non-virtual aspect of experience (the part not ‘just in your head’) as a form of life-teaching. And I believe in attending to it, as an actual practice. It is hard, as we say in the US, to ‘show up’ for life. It is far easier, and most of our technology encourages it, to go around experience, rather than through it. Thus the necessity of being physically present with one’s senses in lived experience in order to even have emotions. The virtual experience might feel like an actual one — it imitates it, but it invites one to bypass the body and go straight to the ‘information-gathering’ part of one’s person. Information is a very limited part of the real.

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I’m having difficulty following this. I mean, I can see what she’s saying: “Virtual Reality” can desensitize people to violence. But when she says things about living in a world “with way too little reality,” I look around at what seems to me to be reality. And when she adds the clause, “or means for accessing reality” I’m completely lost. I access reality constantly, I’m thinking. So I’m guessing she’s talking about political candidates, but even there, there are consequences for their actions that are not “virtual.” Does she mean that we all play too many video games? I doubt it. I think she’s making a bigger point about the simulacra of modern life in general. Or maybe not. Maybe she just means political rhetoric. Political rhetoric can get pretty imaginary, but with potential devastating real world costs.

The flip side of the “VR = desensitization to violence” is that there have been some recent studies done where therapists can use computer animation and environmental stimulation (smell, etc) to take a person with PTSD back to the moment of trauma, where the stimulus can be recategorized, helping the person deal with regular stimuli (crowds, loud noises, airplanes overhead, etc).

Is it hard to show up for life? I have a hard time with that thought. It makes me wonder what the alternative is. How does one not show up for life? Watching TV or something? Still, that’s a way someone’s choosing to live. Is TV an example of “going around experience, rather than through it”? Probably. I don’t really like TV much either. But even then, TV allows me to know something about things I wouldn’t otherwise know in just that way. For example, yesterday, I watched the low-key, and rather charming documentary Pelata, about a couple of former soccer players travelling the world to play in pick-up games. Was my experience of that a going around experience? Well, it was the experience of watching someone else have some experiences I’m unable to have. I find that a broadening of my experience. I was sitting there with an ice pack on my leg from a rather large bruise I got from playing soccer on Wednesday. My daughter, then, came and sat down and watched it with me. We both talked about how much it made us want to go out and play soccer again. The next game is this Saturday.

You'll feel like you're virtually there! (Rendering Not Actual)
Jorie Graham says, “Thus the necessity of being physically present with one’s senses in lived experience in order to even have emotions. The virtual experience might feel like an actual one — it imitates it, but it invites one to bypass the body and go straight to the ‘information-gathering’ part of one’s person. Information is a very limited part of the real.”

I agree that TV and/or computer simulations, etc, are poor strategies to achieving an emotionally rich life (outside of the therapeutic uses I nodded to above). But does anyone think they are? I mean, I think people go to the VR stuff for a myriad of reasons, mostly to escape the rest of the day they had, or perhaps to mark time, or to have something going on while making dinner. Jorie Graham’s critique of culture here does have a point, but it’s, to paraphrase her, a very limited one. For instance, one could make a similar argument against people who study literature. That literature isn’t real experience. And then we’re in a big can of worms, talking about high and low. Of the making of distinctions there can be no end. So Sesame Street tells kids to go outside and play (which was my introduction to irony as a child, for which I’m thankful).

This critique only works if VR is the only thing one does (or if the only place one is getting information about society is from TV). And we hopefully do so much more. Our jobs. Our families. Our various groups (even, yes facebook groups). These are all real things. Or they are unreal things. I could be just as unreal in a face to face meeting with someone as I could be real in a facebook message to someone. There are many ways to connect or to disconnect. It’s a version of the thing I hear so many people say about high school and college, that one’s life as a student is preparing one for “real life.” No. All of one’s life is real life, it’s all part of the mix of who and what one is.

I like what she has to say much more when she’s talking about poetry directly:

“The human ‘mind’ dreams, free-associates, day-dreams, thinks on multiple tracks at once — doing one thing while thinking another and remembering another and noticing something in the same instant which might be totally unrelated — and so on. We live very little of our life in a rational, logical, or discursive state of mind. Why should our poems be simplified to that one limited aspect of the way our inwardness unfolds? Obviously some very great poems have come out of those more overt, coherently narrative, states. But to call all the rest of our existence ‘too difficult’ is pretty insane. Poetry’s job is, among other things, to make resistance to emotional oversimplification possible.”

Jorie Graham has a new book coming out. It’s titled Place. I’m going to read it.

21 Haziran 2012 Perşembe

SXSW Music: My First Night

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This year marks my 4th time at SXSW, and my first time at SXSW Music (thanks to a gift from my lovely and talented wife).  I didn't really know what to expect, and with something like 2000 bands playing over a handful of days, planning out my evenings has been not unlike planning a small military operation.  Every band I want to see is playing at the same time at different venues and nothing starts on time and everything's crazy and everyone's everywhere etc. etc. etc.  So far, this has been a good experience in learning to let go of expectations, because all the planning can really go out the window once you try actually navigating the drunken hordes on Austin's 6th Street at 1:00 AM to get over to that one club with the really cool band playing.

But despite all the craziness, I've seen some great stuff so far, and I'm here to tell you all about it!

Wednesday night I caught a very short set from Canadian hip-hopper 4th Pyramid (I think he was told about 8 minutes into his set that the entire set would only be 10 minutes long).  After that, I hopped on my bike and headed over to catch college-age rappers Chiddy Bang at the "Vibe SXSW House Party," whatever that was.  They were listed as going on at 9:15, but the signs posted near the men's room indicated that they would be taking the stage closer to 12:15 (that's AM, people), so after sticking around for an hour of middling-quality West Coast hip hop acts, I ditched the House Party to host my very own gourmet sliders party at a local food truck.

Once sated, I parked myself at my final destination for the evening and saw three bands in a row, 2/3 of whom hail from Brooklyn these days, just like me.  First up was The Vandelles, who seemed to have left most of their effects rack at home, so (despite turning the reverb way up on their amps) they did not manage to fully re-create their spacey psychedelic surf-rock vibe on a live stage, but they did feature 2 female band members sporting dangerously hip levels of bangs, so there's that.  Next up was The Antlers, who easily won the coveted "Jordan's Favorite Band Of The Night" award with a killer set drenched in beautiful effects, high-pitched emotional vocals, and an overall sense of quality.  Here's a totally legal video that someone who is totally not me shot of their closing number, (a personal favorite of whomever took this video), "Two" [Editor's note:  the sound quality on this video is, to put it technically, not very good.  But it's still cool.]:

"Two" - The Antlers at SXSW 2011 from Jordan Hirsch on Vimeo.

The Antlers performing their song "Two" at the Parish during SXSW 2011 (3/16/2011).


Following that awesomness, The Dodos came on and practically bored me to tears.  I really wish I had jumped ship at that point and tried to catch Parts & Labor (also from Brooklyn) at another club down the street, but by that time in the evening if you were already deeply ensconced in a crowd (as I was), changing venues was a bit of an uphill proposition.  So I stuck it out for about 40 minutes, then finally walked out into the cool night air, just in time to catch a few songs from Kansas City's own hip hop legend Tech N9ne.  He was performing inside the aforementioned "Vibe SXSW House Party" venue, and for a brief wonderful period the people in charge had left the doors and full-length windows open, so a small crowd on the street could enjoy the show as well as those inside.  Then some jerk came along and closed the doors & windows, and I got on my bike and went home to sleep it all off.

But of course that's not the end of the story...stay tuned for more updates including the old-timey country singer lady, the next evening's winner of the Jordan's Favorite Band Of The Night award, and a surprise trip to the Austin ER!

Web Developer's Lament

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This one's for all the web developers out there...

I'm on a "working vacation" for a couple weeks up in Belfast, ME, staying in a house on the bay.  Somehow working from here doesn't feel quite as much like work as it does when I work from my usual office location.  However, events have conspired to make it feel as much like work as it possibly could - namely, a client has been doing their best to make sure that no piece of code I write this week is ever actually done, due to the specifications changing daily, not unlike clouds shifting in a summer breeze.

So I wrote this song to explain how I feel.  [This isn't all about this particular project, but that was a good starting point.]

This is a live recording made down by the water.




Lyrics:
They changed the specs again
Just when I was nearly finished
Said the client changed their mind
I don't know if I can take this

They changed the specs again
I've already written so much code
And the thought of starting over
Makes my sanity erode

Chorus:
Why won't they just let me finish?
Why can't I just be done?
Why won't they just let me finish?
Is this their idea of fun?

They changed the specs again
Pushed the launch up by 2 weeks
They've added a shopping cart
God, my knees are feeling weak

They changed the specs again
To match the new designs
They want it to just "work like Google"
Lord, I'm losing my mind

[Chorus]

I give up, I give up.
I give up, I give up.

Let's add some features, I give up.
Let's build a CMS from scratch, I give up.
Let's refactor every function, I give up.
Let's start calling ourselves agile, I give up.
Let's have a status meeting, I give up.
Let's adopt a framework, I give up.
Let's add members' only area, I give up.
Let's change databases, I give up.
Let's review my timesheet, I give up.
Let's never document anything, I give up.
Let's outsource to India  

Still More Holiday Music That Doesn't Suck

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SK Holiday Open House by flickr user vastateparksstaff
"Christmas music."  "Holiday tunes."  "Mind-numbing winter-themed muzak pabulum."  Call it what you will, our ears are subjected to a lot of crap every winter.  Well, Wired For Music is here to help, with yet another edition of our patented "Holiday Music That Doesn't Suck" playlist.

This year's playlist has some songs that a lot of you will probably already know, but I've had enough people ask me about them in the past that I finally decided to put them on.  Hopefully there'll be some surprises on here too for more "advanced" listeners, whatever that means.  And it even features one song I swore I would never, ever include (it grew on me).

Enjoy, and be sure to check out the playlists from previous years!


  1. Dean Martin - A Marshmallow World
    "The King of Cool" gives us his take on this sugary classic.  Dean's version was never as popular as Bing Crosby's, but it does feature some of his trademark near-drunken slurring, particularly on the last verse's "take a walk-with-yourfav-or-itegirl."  This song makes me wish it was snowing right now.
  2. Gruff Rhys - Slashed Wrists This Christmas
    This is the first track of the Super Furry Animals' frontman's brilliantly titled "Atheist Xmas EP."  It's a bit repetitive, but then, so this this whole season, isn't it?
  3. The Futureheads - Christmas Was Better In The 80s
    Not entirely sure why these guys are so nostalgic given that I think they're younger than I am, but it's still a great song.  Apparently it's a big deal in the UK to release a single at Christmas time, which explains the existence of a few tracks on this playlist.  Some of them work out great, and others...don't make it to this playlist.
  4. The Gasoline Brothers - Hungover Boxing Day
    This Dutch band really nails that feeling of waking up on Boxing Day and realizing - wait, what the hell is Boxing Day?  Europe is weird.
  5. Badly Drawn Boy - Donna and Blitzen
    This song definitely sounds like it was written a few days before the deadline for getting on the Xmas single charts or something like that.  The lyrics read like he was doing a holiday-themed Mad Libs and just plugged in words like "sleigh ride" and "reindeer" here and there.  But the music saves it, especially those massive timpanis.
  6. Marvin Gaye - Purple Snowflakes
    Nothing says Christmas like (a presumably high) Marvin Gaye singing about "purple snowflakes" while his backup singers sprinkle phrases like "chestnuts roasting" and "tootsies toasting" all over the place.  This song is ridiculously good, and his voice is just angelic.
  7. Okkervil River - Listening To Otis Redding At Home During Christmas
    I can't decide if this is more depressing than Tom Waits's "Christmas Card From A Hooker In Minneapolis" (featured on 2008's playlist), but it's damn depressing regardless.  Seriously, go read the lyrics, I'll wait.  Can you imagine if Jeff Tweedy still wrote songs like this?  Wow, that would be awesome.
  8. Morphine - Sexy Christmas Baby Mine
    Still not depressed?  Listen to a dead man croon "Merry for you. Not too merry for me./I want you here with me. Misery loves company."  You're welcome.
  9. The Pogues & Kirsty MacColl - Fairytale of New York
    I resisted this song for the past 5 years - in fact, I really hated it until late last year when it suddenly just clicked for me.  I don't know if it's living in New York or what, but one of my most-hated Christmas songs ever has finally wormed its way into my heart.  This one's a classic that I'm sure you've heard a million times, but it still belongs on this playlist.  
  10. Barenaked Ladies - I Saw Three Ships
    Just a pretty little palate cleanser.  They really should have let Steven sing first, but that's being nitpicky.
  11. Lord Nelson - A Party For Santa Claus
    Feeling chilly?  Let the hot island rhythms of Tobago (by way of Brooklyn) of this little ditty warm you up (or go drink some cocoa, I don't care).  I like the message of this song - how come no one ever gets presents for Santa?
  12. The Beach Boys - Little Saint Nick
    Of course The Beach Boys would write a song about Santa's sled.  This song is stupid, but I love it.  And it features the brilliant line: "Christmas comes this time each year."  Deep.
  13. Aimee Mann - I Was Thinking I Could Clean Up For Christmas
    A happy little song about getting off the ol' drugs for Christmastime.  Isn't that sweet?
  14. Ella Fitzgerald - Good Morning Blues
    Leave it to Ella to have a bad time at Christmas.  "Don't send me nothing for Christmas but my baby back to me" - it's a great time of the year to be alone, isn't it?
  15. dj BC - Waltz Of The Flowers (reflower)
    An interesting mix of a classic, from dj BC's "A Very Re:Composition Christmas."  Lots of interesting stuff on that album, it's really worth checking out if you like classical music, remixes, or both.
  16. The Ramones - Merry Christmas (I Don't Want to Fight)
    A message of love and peace for the holidays from Joey Ramone.  [Presumably he and the person to whom he was singing were allowed to resume fighting on Boxing Day.]
  17. Kanye West ft. CyHi Da Prynce & Teyana Taylor - Christmas In Harlem
    Despite famously being from Chicago, which does not include Harlem, Kanye does a serviceable job with this sequel to Louis Armstrong's "Christmas Night in Harlem" (featured in 2008's playlist).  I think the best verse here belongs to CyHi Da Prynce, who raps in character as Santa Claus.  This song gets extra credit for the part at the end when Teyana Taylor starts singing the melody of "Strawberry Letter 23."
  18. Milly & Silly - Getting Down For Xmas
    Looking at Santa's outfit, I'd say that playing funk music at this time of year is pretty much a no-brainer.
  19. Frightened Rabbit - It's Christmas So We'll Stop
    These guys really do a great job with the whole "suicidal but catchy" thing.  Sample lyric: "Oh it's Christmas so we'll stop/'Cause the wine on our breath puts the love in our tongues/So forget the names/I called you on Christmas Eve/In fact forget the entire year/Don't reflect just pretend and you won't feel scared."  Yikes.
  20. David Bowie & Bing Crosby - Peace on Earth/Little Drummer Boy
    For a song that was conceived of, written, rehearsed, and performed in a little over an hour, this is pretty amazing.  If you haven't heard this before, you're probably going to like it.  I think it's all the more incredible considering the backstory (see link above).
  21. Lovebyte - Auld Lang Syne
    I actually cut another electronic instrumental song off this list, but I just had to give a nod to the robot inside me with this overly upbeat, bizarre version of the New Year's classic.
  22. Sarah McLachlan - Song For A Winter's Night
    Sarah McLachlan's take on Gordon Lightfoot's beautiful little song is spare and beautiful, and I find it really evokes the feeling of a cold winter's night effectively.  Great harmonies, too.
Like the list?  Download it!  [you can now download previous years' lists, too!]
Hungry for more?  Check out some of these awesome holiday playlists:
  • Annals of Spacetime
  • Fuel/Friends
  • ilovethis
  • Wired For Music
What are you listening to this holiday season?  Tell me in the comments, and have a happy December!

Friday Playlist: Baby's First Playlist

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My ridiculously cute daughter
My wife and I recently had a baby girl (Alison, pictured above sporting a stylish baby towel).  Parenting, of course, has its challenges, but it also has its joys - and a big one for me these days has been sharing music with my daughter.  Music is a primary way that I communicate with the world (hence this blog), and my communications with her have been no exception.  When I'm not singing her improvised lyrics to lullabies (or making up new songs entirely), I've been playing her different songs from my library and noting her reaction to various things.  For example, Metallica seemed to make her gassy.  She liked Aimee Mann, but only the early stuff.  And she absolutely loves Spiritualized.

So I've compiled her very first playlist, comprising some of her favorites for chillout time, dance time, and sleepytime.  I hope you enjoy it as much as she does.
PS A friend of mine gave me the gift of 3 albums from Rockabye Baby, namely lullaby versions of songs by Queen, Radiohead, and Led Zeppelin.  Those are all awesome, and have the added bonus of lulling me to sleep, but I prefer to save those as secret weapons when I'm trying to conk her out, as opposed to just putting on music for her to chill to or dance with me to, etc.



  1. Spiritualized - Ladies And Gentlemen We Are Floating In Space (Original Version)
    I first played this for Alison when she was only a few days old.  She had just finished eating and was in what baby experts call the "quiet alert state."  So I figured it would be a perfect time to play her some tunes.  I asked my wife what she thought a baby would like, and she said "Spiritualized?"  I said yes.  This is the original version of this song which includes lyrics from Elvis's "Can't Help Falling In Love" (the Presley estate made the band remove that portion of the song from this album's original release).  The lyrics to the whole thing are pretty perfect to sing to a new baby.  This is probably Alison's favorite song thus far (and one of my favorites, too).
  2. Thievery Corporation - From Creation
    She wasn't too taken with other Thievery Corporation songs, but she really seemed to click with this one.  By "click," I mean she got quiet and stopped fussing and seemed to chill out a bit.  I assume she likes these guys because, like her parents, they're from DC.
  3. K'naan - Fatima
    This song is actually kind of a downer, lyrically (it's about a young girl who was murdered, I think), but Alison really seemed to enjoy the rhythm, particularly in the chorus.  [Editor's note: I'm saying things like "seemed to," "appeared to," etc. a lot because when I asked her what she thought of all these songs, she gave me no answer, so I'm having to go on educated guesses here.]
  4. Cat Power - Living Proof
    This is my favorite Cat Power song.  Alison definitely seemed to enjoy it, but I don't know if it was genuine or if she was just trying to please me because she knows it's my favorite.  Either way, she enjoyed being gently swayed in my arms to this song.  Who wouldn't?  Babies are supposed to like simple, repetitive melodies, and this one definitely fits the bill.
  5. Yellow Ostrich - Mary
    She seemed pretty relaxed during this song, which seems to be about the singer's friend who's on drugs.  Alison overlooked the content and just focused on the soothing background, which definitely chilled her out.
  6. The Snake The Cross The Crown - Cakewalk
    Alison definitely identified with this song's ethos of "I just want to do the things that I feel like doing, and I want to be rewarded for same."  Basically a baby's mantra.
  7. The Beatles - Flying
    I've been told that when I was a wee tot, almost nothing would soothe my jangled nerves as much as when my parents would put the big headphones on me and throw on either a Beatles record or something classical.  Alison has a lot more Beatles to go (and classical, for that matter) but she seemed to take to this track - not a bad start.
  8. Phish - Horn
    I first played her "Bouncing Around The Room" which I thought she'd love, but I guess it was a little too simplistic, even for her. But she loved "Horn," especially the intro/chorus. She says she's psyched to hear Trey's solos on some live versions when she's a little older.
  9. Self - Uno Song
    I don't know a lot of Self songs after Subliminal Plastic Motives, but this one came up on shuffle the other week and she really dug dancing along to it.  And by "dancing" I mean "me waving her around in my arms."  Tapping out the beat on her back also seemed to help her burp, so hey - bonus.
  10. Her Space Holiday - Sleepy California
    Despite this song being about the slow death of the singer's estrangement from his mother and the painful death of his grandmother, Alison really seemed to enjoy it.  She can be kind of dark that way.  Or she was sleepy, it's hard to tell sometimes.
  11. The Postal Service - The District Sleeps Alone Tonight
    Another song that appeals to Alison because of her DC heritage.  Also because it's slow and soft and beautiful and has a cool beat.  And she likes when I sing along to it.
  12. Jane's Addiction - Stop!
    The first time I played this for her, I bounced her up and down vigorously along with the music - taking her up really high on the downbeats, particularly during the intro and chorus.  My wife thought I was going to scramble Alison's brains, but Alison seemed genuinely happy.  And it's hard to tell if a baby's brains are scrambled anyway, they don't do all that much higher-level thinking at this phase.
  13. U2 - Trip Through Your Wires
    U2 was another Amanda suggestion, and so far Alison has enjoyed most of what she heard.  This song seemed to be her favorite, meaning she fell asleep during it.  Right now her TTS (time to sleep) is a pretty indicator of how pleased she is with life overall.  Alison also seems to love "Ultraviolet (Light My Way)" but I'm not a huge fan of that song, so it didn't make the list.
  14. Grateful Dead - Box of Rain
    I think Amanda suggested this album, too, and Alison seemed to love every track, so I picked this one because it's awesome. And she just fell asleep to it while I was writing this, so that's one in the "plus" column.
  15. Radiohead - 4 Minute Warning
    I mentioned above the lullaby version of Radiohead CD a friend gave us - it got me thinking about Radiohead songs in general, and I had an inkling that this song might be lullaby-esque enough in its current state to work on a baby.  And I was right.  I ended up playing this about 10 times in a row one night as she gently drifted off to sleep in my arms.  [Editor's note: the fact that she woke up crying 10 minutes later has nothing to do with this song, that's apparently just how babies are sometimes.]
What do you think?  For those of you without kids, what would you put on a baby playlist?  If you have kids, what have you put on a baby playlist?  What worked?  What didn't?  Tell me in the comments.

Five Questions from CANT

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Aaron McNally has five questions for me over at the CANT journal blog.
Here’s a snip:
“I think we, to some degree, all agree that there are logical (or at least arbitrary) forms that our thinking must submit to in order to be expressed. Thought is messy, and language is a set of controls to form that into something that others might be able to receive. Because of the social nature of language and the private nature of thought, it is difficult for us in daily life to remain consistent in what we say, for each new saying creates at least a slightly different message. One of the ways the word arts, and poetry in particular, can find power (or interest or energy or value) is by playing with, or investigating, this relationship between thought and language. There is profit to be found in wandering through these veils. Cue Whitman: ‘Do I contradict myself?’”
http://cantjournal.blogspot.com/2012/06/five-questions-with-john-gallaher.html

Also included at no extra charge are action shots from a conversation I had with him and Jon Barrett last Friday. I can’t imagine what I was saying to go along with some of these expressions. Perhaps we should have a caption contest.

20 Haziran 2012 Çarşamba

Erich Kuersten: Swedish Death, American Style

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Swedish Death, American Style
by Erich Kuersten
Acidemic



"A film by Matt Reeves" (Cloverfield), Let Me In (2010) barely even acknowledges it's a remake of a 2008 Swedish film, Let the Right One In (dir. Thomas Alfredson), which was an adaptation of a book by John Ajvide Lindqvist, also from Sweden. The American version keeps the snowy, desolate, alien mood via wintry Los Alamos, New Mexico, with Kodi Smith McPhee as the human boy, and the startling Chloe Grace Moretz as the vampire. One of the changes from the original are scenes were Moretz morphs into the CGI silhouette of a flying pit bull. In quieter moments she's startlingly ageless and we're forced to contend with the idea that she could be five or five hundred; she may have picked her young girl form the way a Venus flytrap picks its sticky sweet scent. In the book, I'm told, she's not even a real girl, but a castrated boy. She could be a thousand year old shapeshifting venus fly cactus. This mystery enhances the bizarre love story at the film's heart. It's one we all know- the old lover making way for the new - but in this case, oh man, we're talking some serious age differences.

Perhaps I mention all this to show how having a Swedish original to work from enables American filmmakers to explore the darker side of childhood, the place where empathy is easily drowned by the desire for companionship, safety, validation, power, and revenge against one's enemies. If the motivation for these remakes boils down to middle America's hatred of subtitles, the ability to depict things American films never could otherwise is surely a close, unspoken second. Ever since Spielberg's E.T. set the tone for the 1980s, movie audiences have reveled in their horror over child abuse scandals and as a result have shied away from portraying kids as anything but saints or, occasionally, evil demons... but either way beset on all sides by skeevy male abductors. Never are they allowed to be sexual and/or ignored - is neglect 'worse' than 'physical' abuse? Is there even a difference?

Having these topics come from Sweden washes the blood off our hands as nervous Yanks. We can do more dark stuff with kids, because hey, it's a remake, of a Swedish film. I have a feeling the same marker of moral responsibility exemption will accompany the sexual violence in Fincher's Girl with the Dragon Tattoo remake. Thus the Swedish cinema has re-attained its status as America's go-to taboo breaker, a status it won back in 1967 with I am Curious... Yellow, a film that dared to not just show sex, but to show realistic sex, as part of the experiences of a young leftist blonde girl and her older lover filmmaker. The protagonist's sexual openness isn't 'titillating' as much as a provocation . Americans were allowed to see it as 'art' and since it made money, the stage was set for the XXX boom. The leftist politics and new wave handheld style was forgotten but the sex was kept. The phrase 'Swedish erotica' became a redundancy, like American jazz, or Argentine tango.

The original Let the Right One In (2008) dared to assume the American art house market would abandon prurience and moral outrage over the whole child sexuality angle and remember instead the mix of loneliness and exalted terror that is being a child, those pre-empathic Lord of the Flies, Over the Edge kind of feelings from the days when we were sent to our rooms for trying to rebel, and we rolled around in bed and wished we could just kill our parents and be free to eat candy all the time; the agony of being called in by your parents, right when you were about to play a game of 'doctor' with your hot neighbor. When you ran outside after wolfing down your warm milk and yucky vegetables, she was gone.

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